Altamont was supposed to have been the west coast version of Woodstock, the huge peaceful rock festival that had happened in New York a few months earlier. Instead, the concert turned into a Hieronymus Bosch-like orgy of bad trips, stupid rock fans, poor planning, and tons of violence. It culminated with the Hell’s Angels, who had been hired to do security, brutally murdering Meredith Hunter in front of the stage as the Rolling Stones played.
Altamont came to symbolize for many the end of the 1960s – the end of a hopeful era. Meredith Hunter is the central character in that narrative, and yet he has always been an enigmatic figure. Although the newspapers at the time recorded his name, there was never anything more – no photo, no quote from his devastated mother. He was a mystery then, and now has been all but forgotten.
lot 63, grave c has screened at the following film festivals: Sundance, Rotterdam, Ann Arbor, San Francisco, Black Maria, Nashville, Los Angeles, Seattle, PDX, Tekfestival (Rome), Silverlake, and the Dallas Video Festival.